Media: oil on canvas
Dimensions: 20.5”x25.6”
Date: 1875
Berthe
Morisot was a female leader of the Impressionist movement in the late 19th
century. She displayed her work in the Salon de Paris and the exhibitions of
the Impressionists. Her painting focused on domestic life and portraits.
Morisot later married Eugène Manet and became the sister-in-law of the famous
artist Édouard Manet.
Morrisot’s teacher Camille Carot wrote of her and her sister, “With
characters like your daughters, my teaching will make them painters, not minor
amateur talents. Do you really understand what that means? In the world of the grande bourgeoisie in which you move, it
would be a revolution. I would even say a catastrophe."
Because
Morrisot was a woman, she was restricted in the subjects she was allowed to
paint. Ballroom scenes were one of the genres open to Morrisot. This painting
is now held at Musée Marmottan in Paris, France.
The subject of Morisot’s painting is not paying attention to her surroundings. She is slowly moving her fan, but mostly just daydreaming. Her dreams show in her eyes. This painting has both the dreamlike and impressionistic thread that ties all the art pieces in this exhibition together.
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